UPCOMING | PREVIOUS


Friday & Sat. October 17, 18

Shows start promptly at 8:30pM
$6 suggested donation for artist


2 Nights featuring the films & videos of Catherine Pancake, local filmmaker, musician, and organizer.

FILM PROGRAM:
Basketball: 16mm color/sound 5 min.
En Hard Dormant: 16mm BW/silent 6 min.
Two Sentences for the So-called Normal: Super8
color/sound 30 min.
The Suit: 16mm color/sound 30 min.

VIDEO PROGRAM:

Some Enchanted Evening: DV 7 min.
The BackDoor Boys: DV 28 min.
The Committee for the Advancement of Sex Appeal in
Experimental and Improvised Music: dv 30 min.
Effortless Battle (ext.): dv 12 min.
Klumpki Heart Wonderful: VHS 30 min.

For the past eight years, Catherine Pancake has been one of the most vital contributors to Baltimore's art scene as a member of the Red Room and Charm City Kitty Club collectives and the High Zero Foundation, as a renowned performing percussionist and sound-artist, and, most poignantly, as a film-maker. Her delirious and exuberant films have delighted audiences with fascinating subjects, extraordinary craft, formal insight and strange vistas from the edge of consensus reality. Seen separately, each of her pieces speaks to a gray and subversive area of the psyche - from the linguistic play of "Two Sentences for the So-Called Normal" and the maniacally detailed narrative "The Suit" to the sexual boundary-play of "Klumpki Heart Wonderful" and "The BackDoor Boys" to the sensually rich, psychedelic formalism of "Effortless Battle" - but seen together, the baffling variety of her work coheres as a manifestation of a singular and rich world-view. Over two evenings this October, CHELA celebrates Catherine Pancake's film and video works and unique vision by presenting, for the first time, a one-woman show spanning 1996 to the present.

BIOGRAPHY & NOTES

A native of West Virginia, Pancake relocated to Baltimore shortly before making her first film, Klumpki Heart Wonderful, a study in not OK male sexuality starring Baltimore musician Neil Feather which won the City Paper's Best Local Film that year. Klumpki was rejected from the Psychotronic Film Festival by outraged, male judges, causing female judges to set up a separate festival to screen it. Her next film, Two Sentences for the So-Called Normal, which juxtaposes fringe sensibilities by giving members of the avant-garde arts community and Pancake's clients as a mental health worker one minute to define a random word, proved even more controversial and has rarely been seen. After five years of meticulous labor in which she produced only two other short pieces, Pancake reemerged with The Suit, a self-financed 30 minute, 16mm color sound spectacular adaptation of a story by Blaster Al Ackerman in which a man tries to win the woman of his dreams by making a suit out of hundreds of thousands of canned vienna sausages. Identity, mania, creation and romance-in-isolation merge in elaborate and hilarious scale.

Pancake's involvement in music manifests in her document of the High Zero 2000 festival in which experimental, improvising musicians, real-life givers of what no one asks for, and their significant others answer the question, does playing experimental improvised, experimental music increase you sex appeal? In The Back Door Boys, Pancake elicits the straight sex exploits of the real (!) touring, drag king Backstreet Boys tribute group. In Effortless Battle, she gives electronic musician Ian Nagoski's sounds a visual analog in a bombardment of near-stasis, furious sensuality and philosophical questions on perception itself.

For the past several years, Pancake has been working on a documentary of the political exploitation and environmental catastrophe taking place in southern West Virginia, where hundreds of thousands of acres of mountains have been blown apart in search of remaining threads of coal, and where residents are forced to live with their most precious possessions in the trunks of their cars in anticipation of the day when the resulting floods will destroy their lives. Like all of Pancake's major work, Moutaintop Removal is a true document of the fringes of experience, a protest against dullness and conformity, an affirmation of the richness of lived experience and an epic exposition of subtle, unseen or impolite personal realms. This show directly benefits the completion of Mountaintop Removal.

We look forward to seeing you at this special event. -- Notes by Ian Nagoski

 

 

 

 

 

 

 

 

 

 

CHELA: Experimental Art Venue in Baltimore MD Articles catalogue
2002

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