Joe
Foster
trumpet,
digital delay pedal, eletronics
Bonnie
Jones
digital
delay pedal, microphones
JOE
FOSTER
Joe Foster came to Seoul in 2002 from Portland, Oregon, where he
had been playing for a million years with JP Jenkins, Bryan Eubanks, Peevish,
Super Unity and everybody else in that bubbling musical underbelly. In
Seoul he has played and recorded with Choi Sun-Bae, Alfred 23 Harth, Choi
Joonyong, Hong Chulki, sOo-jung kAe, and Bonnie Jones, as well as visiting
players. Like Bonnie, Joe has a background in writing. Joe's played in
Portland, Olympia, Seattle, Astoria, Ukiah, San Francisco, Oakland, Santa
Cruz, Pacific Grove, Bakersfield, Los Angeles, San Diego, Spokane, Boise,
Boulder, Minneapolis, Ann Arbor, Boston, New York City, Seoul, Tokyo,
Wellington, and Aukland, with and against people from those fucking places
and others. He has put out music on rasbliutto, urantia, jyrk, balloon
and needle, O Back CD, and 1000CD. Joe toured the west coast last year
with Bryan Eubanks and Leif Sundstrom, as well as some Super Unity and
Ferret/Javelina/Ewe Trio dates. He owes his music to others; there is
so much work to be done; he plans to continue playing until death. http://joefoster.blogspot.com/
BONNIE
JONES
Bonnie Jones works with sound, text and performance. Born in 1977
in South Korea she was raised by dairy farmers in New Jersey, and
currently resides in Baltimore, MD. In sound performances Bonnie plays
the circuit boards of digital delay pedals. Her primary sound collaborators
are Joe Foster in Korea (as the duet “English”) and Andy
Hayleck. She is also a member of the Performance Thanatology Research
Society, a inter-discipinary performance group dedicated to the advancement
of a higher histrionics brought on by imminent finalities. Bonnie
has performed at the Kim Dae Hwan Museum, the Ontological-Hysteric
Theater, the ErstQuake Festival, and the 14 Karat Cabaret.